Southern California is calling.
Everything in this kit, ready to use. Take the file; do not remake it. Individual files are linked beside each example below.
The master and every form of it: transparent, on Shore White, white outline, one colour, watermark. SVG and PNG.
Download .zip6.1 MBG to M, each in colour, on navy, and white with a clear background for photographs. SVG and PNG.
Download .zip18.1 MBThe profile picture (PNG and SVG) and the five channel banners at their real sizes.
Download .zip769 KBThe full logo as an icon, 16 to 1024 px, plus favicon.ico and the Apple touch icon.
Download .zip441 KBOswald, Poppins, Montserrat and Great Vibes. Open Font License, free to install.
Download .zip365 KBMost used
One mark, drawn once, now held as vector. Everything else in this kit is derived from it. It is never redrawn, retyped or recoloured.
The source form. Use wherever the ground is already the right colour and you can place transparent artwork.
The primary form for print and documents. The warm ground is part of the brand — the mark was drawn against it, and it sits far better here than on pure white. Supplied flattened, so it survives tools that cannot place transparency.
For photography, the gradient, and any dark or busy ground. A continuous white keyline runs around the whole silhouette — sun disc, palms and script alike — so the mark holds its shape when the background is doing something. The stroke is 44 px on the 1156 px master, 3.8% of the mark’s width. Settled 13 September 2026.
216 px on the 1156 px master — 18.7% of the mark’s width. Nothing enters the shaded band: not type, not photography, not another logo.
Screen: 96 px wide for the full lockup. Below that, use the icon files.
Print: 25 mm wide. Below that, the icon files.
The Seal is retired (28 Sep 2026). Profile pictures and the favicon use the full logo.
Redraw, retype or trace the wordmark. “SoCal” and “58th Biennial” are drawn lettering and exist only as vector paths.
Recolour, rotate, stretch, add effects, or place on a busy background without the outline version.
Alter the internal spacing, or set the convention name in anything but Montserrat Bold.
One colour for anywhere the sunset cannot go — a single plate, an embroidery, a fax, a stamp. Plus the icon set. Together with the three primaries this covers every surface.
The sun disc and the water are dropped — a solid circle that size swamps a single ink, and without it the type simply sits above the church.
The full logo on a clear background, so it sits on any tab or tile.
The mark carrying its credits — dates, city, venue, URL and the host parish, composed as one piece rather than assembled by hand each time.
All seven use the same rules: Montserrat Bold, uppercase, navy, tracked, the host credit always on two lines and in navy so the parish’s full legal name reads at size. Nothing here is retyped in use — the whole lockup is placed as one asset. Each is also supplied reversed on Night Navy, and white on a clear background.
The default. When and where together on top, the host credit on its own underneath.
Adds the URL. The marketing workhorse: social, banners, ads, anything a stranger meets cold.
Adds the venue. The complete record: programme cover, letterhead, the registration page header.
Nothing sits above the sun. For page headers and banners that already carry a headline.
The horizon separates the host credit. Ceremonial: the programme cover and large signage.
No dates. Merchandise, and anything reprinted across more than one year.
Mark on the left, the record beside it. Letterhead, email signatures, website headers, name badges.
H — the default. Reach for this unless there is a reason not to.
I — anywhere a stranger meets the brand cold and needs the URL.
G — the formal record, where the venue matters.
L — merchandise and anything reprinted across years.
M — anything wider than it is tall: letterhead, signatures, headers.
Retype any of these lines. Place the lockup as supplied.
Change the line order, the tracking, or break the host credit differently.
Credit the parish as “Saint Andrew Orthodox Church”. It is Saint Andrew Orthodox Christian Church.
Use a lockup smaller than 40 mm printed or 150 px on screen — below that the host credit closes up.
Six things that will happen if this section is not in front of whoever is laying out the file.
Scale proportionally, always.
The ramp is fixed: #FFE9A6 → #D25C15.
The horizon is a horizon.
The mark is flat art.
The keylines fill with whatever is behind them. Use the white-keyline version.
Pink gradient, host credit inside the sun, name under the wordmark. It is retired.
Six colours. Proportion is roughly 70% Shore White, 20% Night Navy, 10% sunset — and one gradient moment per screen, not three.
Ink, grounds, the drawn line work in the mark. The default colour of type.
The page. About 70% of any layout should be this.
The top of the sunset ramp. Accents and links on navy.
The middle of the ramp. Buttons, with navy ink.
The warm end. Use sparingly — it is the loudest colour here.
The base. Eyebrows and small accents on light grounds.
linear-gradient(90deg, #FDCE3E 0%, #FDA04D 34%, #FB5063 67%, #90294F 100%) — is for layout: strips, buttons, washes. The logo’s ramp lives inside the artwork and is never rebuilt in CSS.Recomputed against the current hexes. The old guide’s figures were calculated against colours that no longer exist and are void.
| Foreground | Ground | Ratio | WCAG AA | Use |
|---|---|---|---|---|
| Night Navy | Shore White | 17.48:1 | AAA | Body text, headlines |
| Deep Maroon | Shore White | 7.57:1 | AAA | Eyebrows, small accents |
| #5C5A6B | Shore White | 6.33:1 | AA | Secondary text |
| Shore White | Night Navy | 17.48:1 | AAA | Reversed text |
| Sun Gold | Night Navy | 12.42:1 | AAA | Links on navy |
| Night Navy | Sun Gold | 12.42:1 | AAA | Button |
| Night Navy | Coast Orange | 9.10:1 | AAA | Button |
| Night Navy | Dusk Pink | 5.67:1 | AA | Button |
| Shore White | Dusk Pink | 3.08:1 | AA large only | Button — do not use |
| Shore White | Coast Orange | 1.92:1 | fails | Button — do not use |
| Shore White | Deep Maroon | 7.57:1 | AAA | Button |
Four faces and one piece of drawn lettering. Each has exactly one job.
The convention name inside the mark — and nothing else. It is set once, in the artwork, and never used in a layout. If it appears in a headline, something has gone wrong.
Headlines, eyebrows, buttons, labels. Condensed, so it holds long names at large sizes. Weights 400, 500, 600, 700.
Body, UI, forms, captions. Weights 300, 400, 500, 600.
Ceremonial display in layouts only — never in the logo, and never for the SoCal wordmark. Needs 900 px of width to earn its place; below that, use Oswald.
Four bars — Sun Gold, Coast Orange, Dusk Pink, Deep Maroon — in that order, left to right.
This is the gradient’s form for every place a gradient cannot go: email, spot-colour print, embroidery, and any rule thinner than about 4 px where a gradient reads as mud. It is four solid cells, never an image and never a gradient with hard stops — which means it survives an email client with images blocked, a two-colour press, and a 4 px web rule equally well. Keep the order. Keep it horizontal.
Southern California at the end of the day. Warm, open, unhurried.
Low sun, palms in silhouette, a horizon that echoes the mark.
Four templates, one structure. Table markup throughout — no CSS gradients, no flexbox, no layout that collapses when images are blocked.
Send 1. Subject: “You’re invited to Anaheim — rooms are now open.”
Day 6, non-openers. Subject: “Southern California is calling. Reserve your room.”
Clergy and parish councils. Subject: “With the blessing of His Eminence…”
Plain and fast. Transactional and operational sends.
bgcolor cells, not an image. The button is a table cell plus a VML roundrect, so Outlook keeps the fill and the link stays clickable. Logo alt text is styled inline, so a blocked image lands in Oswald fallback rather than blue Times. The sunset header sits on a #F4B8BE bgcolor, so a blocked wash degrades to a solid band instead of a white hole.Profile picture and channel banners at each platform’s real pixel size. The profile picture is the full master on Shore White (28 Sep 2026). Handle ac2027socal throughout; display name AC2027 SoCal.
Shown in the circular crop every platform applies, and again at 48 px — the size a profile picture actually appears at in a feed.
Profile picture and buttons cover the lower left. Everything is kept above and right of that.
The link preview on every platform and in every message. Ship it with the site.
Mobile crops hard to the centre, so the record sits in a 1090 × 480 safe area.
The shallowest banner of the set. Sponsors and vendors are here.
A television shows the whole frame; a laptop shows only the middle 1546 × 423. Everything that must be read lives in that band, which is why the artwork looks sparse at full size — it is supposed to.
The homepage, built on the kit.
Round icon in the navigation, full lockup in the hero, one gradient moment on the page.
The words that have to be identical everywhere.
| Formal name first mention, formal documents, press |
The 58th Biennial Antiochian Archdiocese Convention |
| Short name everywhere after first mention |
The 2027 Antiochian Archdiocese Convention |
| Display / brand the mark, social, merchandise |
AC2027 SoCal |
| Legal entity contracts, filings, anything with the Archdiocese as a party |
The Antiochian Orthodox Christian Archdiocese of North America |
| Host credit keeps “Christian” — dropping it is a known past error |
Hosted by Saint Andrew Orthodox Christian Church, Riverside, California |
| Contact one address, everywhere |
info@ac2027socal.com |
What is in the folder and when to reach for each.
| Path | What it is | Use it for |
|---|---|---|
| downloads/ | One zip per category | The quickest way to get everything. |
| master/AC2027-master-lockup.svg | The vector master | Everything. Give this to printers. |
| logo/AC2027-master-transparent.* | Full colour, transparent | Grounds already the right colour. |
| logo/AC2027-master-on-shore-white.* | Flattened on Shore White | Print and documents. The primary form. |
| logo/AC2027-master-keyline-* | White outline, clear or on navy | Dark and busy grounds, photography, the gradient. |
| logo/AC2027-onecolour-* | Single ink, no sun disc | Stamps, embroidery, one-colour print. |
| logo/AC2027-watermark-white.* | The one-colour mark in white | Corner of photos and video, at about 60% opacity. |
| lockups/AC2027-G…M-* | Seven lockups, each in colour, on navy, and white on clear | Anywhere the credits travel with the mark. |
| icons/ | The full logo as an icon, 16–1024 px, favicon.ico, Apple touch icon | Browser tabs and app tiles. |
| social/AC2027-profile-* | The profile picture | Every platform. Upload the 1080 PNG. |
| social/AC2027-*-WxH.jpg | Five channel banners | X, Facebook, LinkedIn, YouTube, and the link preview. |
| email/ | Four HTML templates, plain-text twins, images | Mailchimp. Replace {{IMAGE_BASE}} with your hosted image path. |
| site/AC2027-Homepage.html | The homepage, self-contained | Reference for whoever builds in Wix. |
| fonts/ | Oswald, Poppins, Great Vibes, Montserrat | Open Font License. Free to install and embed. |
| *.png | Every SVG, rasterised at 600, 1200 and 2400 px wide | Anywhere SVG is not accepted. Transparent; height follows the artwork. |
For printers: the logo uses no white ink. White areas are see-through.